This Berklee Program Turns Class Projects into Career Breakthroughs

Teesa D’Agostino BM ’25 took her seat at Vienna Synchron Stage, held her breath, and listened as a 60-piece orchestra launched into her score. As her music filled the storied recording facility—a space where Marvel, Sony, and Netflix regularly capture their soundtracks—she began to hear it in an entirely new way.

“Before Vienna, my music existed only as a rough pencil sketch,” D’Agostino said. “When the orchestra played, that sketch burst into color and transformed into a fully painted landscape. The emotions I usually feel alone while writing became real and tangible.”

That larger-than-life moment set the stage for what came next for D’Agostino: licensing deals, campaign scores, and a career path that traces directly back to Berklee’s Experiential Design Lab, the program that brought her to Vienna in collaboration with Red Bull.

Classroom Learning with Real-World Stakes

Berklee’s Experiential Design Lab (EDL) puts students to the test with real-world creative briefs from industry partners like Disney, Red Bull, Splice, and more. These semester-long projects simulate the professional process from pitch to deadline, giving students credits, confidence, and career momentum before graduation.

Curated by the Career Center in collaboration with Academic Affairs, EDLs connect students with faculty mentors and industry leaders on compositions, arrangements, or productions for actual clients. The results range from orchestral recordings to live performances, and sometimes, full-time jobs.

“Whenever our students get to work with the industry, it’s like a huge ‘wow’ moment followed by, ‘Okay, let’s get real,’" said Rodney Alejandro, dean of professional writing and music technology. “Having our professors involved, giving students guidance as they’re creating, is key. I even offer to work with the students, helping them sharpen their skills and level up their experience. It’s all about getting our curriculum connected to what’s actually happening out in the industry at the moment."

[This partnership] helps us source the most exciting new musical talent out there.

Martin Brem, head of global music services, Red Bull

Professional Credits Before Graduation

The Vienna session was part of one of Berklee’s most ambitious EDLs: a partnership with Red Bull Media House that tasked students with composing bold, original orchestral works for its Sounds of Red Bull series.

From hundreds of demo reels, 20 students were chosen to refine their pieces with Berklee faculty and Red Bull supervisors. Seven finalists then traveled to Vienna, where their scores were orchestrated by Bill Ross (John Williams, Whitney Houston) and Tim Davies (Frozen) and recorded in Dolby Atmos at Synchron Stage. Those recordings now live on The Orchestrals II, an album distributed worldwide through BMG Production Music.

For the students, the week was life-changing. “Recording at Synchron Stage was a dream come true. It is the home of scoring giants whose footsteps I’ve always wished to follow,” said Miles Clark BM ’25. Berklee Valencia graduate Alex Fortunato MM ’25 said, "Hearing our music come to life—performed by some of the world’s best musicians in one of the finest recording facilities—was nothing short of unforgettable." Rachel McFarlane BM ’25 described the experience as “a profound affirmation of my path as a composer.”

Red Bull called it a win, too. “At the core of our brand is the idea of giving wings to people and ideas,” said Martin Brem, head of global music services. “Red Bull Media House produces over 60,000 content pieces each year globally, which means we are continually seeking exciting new music to enhance our productions. Hats off to Berklee for the remarkable professionalism displayed by these talented young composers. I was genuinely impressed by their thorough preparation."

This experience helped shape where I am now: living in Miami with a full-time job doing what I love.

Simón Martínez BM ’24

Finding Confidence in Creative Risk

EDLs extend beyond film and media into live performance. In one collaboration, Berklee partnered with Nu Deco Ensemble, a genre-bending chamber orchestra, to give students the chance to orchestrate for pop artist and alum Betty Who ’13 at her Miami Beach Bandshell concert earlier this year.

For arranger Simón Martínez BM ’24, one of three students selected, it was a leap from campus stages to the professional world. “I had spent years preparing to write for large ensembles and hearing my work at Berklee concerts,” he said. “This was different—a professional orchestra at the Miami Beach Bandshell, performing with an incredible artist like Betty Who. It truly felt like living a dream.”

The project also reshaped his creative mindset. Sam Hyken, Nu Deco’s artistic director, pushed him to write fearlessly and tailor his arranging to the ensemble’s strengths. “At Berklee, I used to hold back, worried about writing something ‘impossible.’ But Sam encouraged us to push the limits and trust the musicians.”

The payoff was immediate: Hyken offered Martínez a full-time role with Nu Deco as a writing and production associate. Reflecting on it, Martínez said, “This experience helped shape where I am now: living in Miami with a full-time job doing what I love." 

Opening Doors to Industry

One standout project with Disney Television Animation challenged students to compose and produce original songs and scores for storyboards, learning how music drives character, pacing, and emotion in animation. The process mirrored the real industry pipeline: students worked from a professional creative brief, developed demos, received client notes, and refined their work to broadcast-ready quality. For recent graduates Kieran Rhodes BM ’24 and Finneas Moore BM ’23, that process led directly to professional collaborations with Disney.

Experiential Design Lab collaborations span the industry, from Disney to Prescription Songs, the Kurland Agency, BandLab, and hitmaker Rico Love (Beyoncé, Usher). Each project pushes students to deliver at a professional level, while giving employers a direct window into Berklee’s talent pool: artists who are collaborative, adaptable, and ready for the industry.

“These opportunities are absolutely essential,” said D’Agostino. “Regardless of the outcome, they provide invaluable real-world experience and teach you how to work with high-profile companies under tight deadlines. Just getting your name out there is a huge blessing.”

For employers, the labs are just as valuable. As Red Bull’s Martin Brem puts it: “[This partnership] helps us source the most exciting new musical talent out there.”